Film Review: Lady Bird

Lady Bird is a film that deals with the trials and tribulations of first love, losing your virginity, and the final year of high school in a way that is rarely seen on the big screen. Each section of the film is given its own space to breathe, and although the film sticks to its tight 93 minute running time, no scene feels rushed. The film in fact should be commended for leaving you wanting more, for making you want...

Film Review: The Shape Of Water

In eyes of Guillermo del Toro, ‘monster’ is a relative term. So when Richard Jenkins’ Giles, our nominal narrator, tells us that The Shape of Water is a story “of love & loss, and the monster who tried to destroy it all,” it would be unwise to assume that the antagonist he refers to is the piscine humanoid at the heart of this otherworldly fable. The latest offering from del Toro’s beloved cabinet of curiosities, The Shape of Water is...

Film Review: Black Panther

“Just because something works, doesn’t mean it cannot be improved,” we’re told early on in Ryan Coogler’s courageous new entry into the Marvel canon. Loyal fans who have stuck with the series since the first Iron Man will no doubt be relieved to hear that this exhilarating blockbuster yarn doesn’t deviate too far from the studio’s winning formula, but it is those whose voices are callously sidelined so often in such big-budget fare, and crucially given such definition here, who...

Film Review: Pad Man

Based on the life of Arunachalam Muruganantham, Pad Man is the biopic of Lakshmikant Chauhan (Akshay Kumar), the man who dreamt of manufacturing and distributing subsidized sanitary pads to the women of India after seeing the dirty rags his wife was using during menstruation. Due to the taboos surrounding menstruation in his small village and across India in general; it is not just economics, but social mores Lakshmi must do battle against. What may not seem at first cinematic material...

Film Review: The Mercy

Where most stories concerning plucky underdogs either see them miraculously come out on top or heroically fail with credit and respect intact, The Mercy shows us a third outcome that is much more realistic and true to life. For more often than not our grand plans do not turn out as we may have hoped, and we are left fearing ridicule and failure. The desire to cover up our mistakes is a common one that has consumed us all at...

Film Review: Loveless

In this Russian drama, a couple in the process of a bitter divorce has selfishly ignored their twelve-year-old son Alexey (Matvey Novikov) in pursuit of new relationships. When the boy goes missing, the pair are finally forced to acknowledge his existence before they can continue with their lives. Father Boris (Aleksey Rozin) comes across as selfish and uncaring, mother Zhenya (Maryana Spivak) worse. She emphasises how much she wishes she had aborted Alexey in the womb with savage glee, giving...

Film Review: Den Of Thieves

Directed by London Has Fallen writer Christian Gudegas and staring Gerard Butler, Den Of Thieves is the sort of testosterone laden action flick that doesn’t seem to care much about offering anything resembling a coherent storyline, opting instead for a lazily constructed and needlessly meandering narrative, which in the end only succeeds in alienating even the most ardent of action fans. Furthermore, the film falls at the first hurdle by its inability to decide which story it wants to tell,...

Film Review: Lies We Tell

Amber (Sibylla Deen) is torn between her older lover Demi (Harvey Keitel) and her devout Muslim family in Bradford. When Demi dies, his driver Donald (Gabriel Bryne) is instructed to kick Amber out the flat she was living in for the adulterous getaways. Against his better judgement, a sympathy for Amber's plight drags Donald into an underworld totally at odds with his unassuming personality. There is an early scene of Amber flouncing around as 'See Line Woman' plays and Donald...

Film Review: Makala

Makala, the new film from French documentarian Emmanuel Gras, is an elegiac, lyrical journey into the heart, soul and determined resilience of a young charcoal producer in the Democratic Republic of Congo. Kabwita is a 28 year old Congolese man who, with his wife Lydie and their three children, lives in poverty. They rent a small, ramshackle home in the bush, and although their accommodation is basic, the full weight of their situation is clearly communicated when we see Lydie...

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